La Resurrezione HWV 47

Oratorium in zwei Teilen

Hallische Händel-Ausgabe (HHA) I/3

für	Soprane solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Flöte, Blockflöten (2), Oboen (2), Fagott, Trompeten (2), Posaune, Violinen (4), Viola, Gambe, Bassi (Cello, Kontrabass, Erzlaute, Bass-Laute, Cembalo)
Ausgabe	Gesamtausgabe, Partitur, Urtextausgabe
Artikelnr.	609483
Autor / Komponist	Georg Friedrich Händel
Text	Capece, Carlo Sigismondo
Herausgeber	Terence Best
Maße	33 × 26 cm
Dauer	110 Minuten
Erscheinungsjahr	2010
Verlag / Hersteller	Bärenreiter
Hersteller-Nr.	BA 4096
ISMN	9790006550098

Zugeordnete Artikel

G.F. Händel

La Resurrezione HWV 47

Oratorium in zwei Teilen BÄRENREITER URTEXT – Klavierauszug (Urtext)

für: Soprane solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Flöte, Blockflöten (2), Oboen (2), Fagott, Trompeten (2), Posaune, Violinen (4), Viola, Gambe, Bassi (Cello, Kontrabass, Erzlaute, Bass-Laute, Cembalo)

42,70 €(inkl. MwSt., zzgl. Versand)

Beschreibung

The Italian oratorio "La Resurrezione" (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli. In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera "Agrippina". The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.